In my work, including the Glyphs series, I have an abiding interest in language. The most recent iterations, a group of painted columns, Dissipate, Standing See and Stand, have left the space of the wall. These objects articulate in a more emphatic way, my long fascination with the issue of voice, and the correspondence of sound. Underlying the work is the attempt to resolve the conversation between wanting to reveal all and at the same time the desire to obliterate. The latter group echo the quiet but heroic sculptures of the Minimalist artist, Anne Truitt.